Oliver Carter

I have recently had a chapter published in the Italian book The Piracy Effect, edited by Roberto Braga and Giovanni Caruso, that looks at how the giallo, a cycle of popular Italian, is reappropriated and distributed by fans on torrent file-sharing websites.  I argue that this is a response to the current market conditions that render the commercial release of currently unreleased gialli on DVD unviable.

Birmingham Centre For Media And Cultural Research

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